Okay, so I’ve talked a little about why I write. Now…just what the heck do I write?
A handy list of my novels, in various states of completion:
- at age 12, a blatant Legend of Zelda ripoff
- at age 14, a less-blatant Star Wars ripoff
- not long later, a historical fiction about slaves and kings in Fifth-century Wales
- half novel/half graphic novel about identical triplets and a comic book that takes over the world
- a hotel that eats people
- and my current WIP, officially entitled Walls but affectionately known as Julian
That last one…that one’s tough. My novel/graphic novel is very cool, plotty while managing to be intensely character-driven, and if I could just get an artist to turn my script into drawn panels, could actually be something. It’s funny, fast-paced, relatable and accessible. My current WIP…
…is about a guy on Death Row. And the daughter who discovers him, weeks before his execution date. It’s hard to even admit that on a public forum. (And I want to get this thing published?)
When people at work ask what I’m writing (because I try to have pride about being a writer, plus everyone wants to know what I do with my days off, as if it’s any of their business), I simply tell them “young adult fiction.” That’s the category everything falls into, more or less. And it shuts them up enough, even though you’d think, working with kids, writing for kids would be respected. I guess people think Twilight. That’s fine and all, just not my thing.
My thing is apparently dark and evil and unmentionable. A teenager rapes and murders a nine-year-old girl. Sixteen years later, another teenager tries to come to grips with that. What it means about her, what it means about love, what it means about right and wrong. Judgments, personas, and how the past interacts with our lives. Plus graffiti and rock and roll, making your mark on history, your legacy, how you want to be remembered after you’re gone and just how out of our control that is.
Yeah. Try mentioning that in a preschool setting!
My favorite stories have always been about the big things, the dark things, the things that are difficult to explain. Anyone ever read Robert Cormier? For a long time I was obsessed with Neil Gaiman, whose characters always seemed to be in a moral quandary. Lately I’ve been reading Gillian Flynn’s deeply-flawed, unlikable, conflicted characters (she’s like an addiction to something sugary and full of toxins). Recently finished watching Hannibal, ITV’s brilliant Broadchurch, and just started on Breaking Bad. People who do bad things, or try to do good and fail miserably.
Why? Why to we do these things? Why do we hurt the people we love? We commit some terrible acts as a human race, and half the time I understand it while the other half I just sit there, baffled.
Even children. Even little babies, sitting there smacking each other on the head and laughing.
So…what is the most evil thing you can think of, and how can we deconstruct it? Let’s dwell on that for several years of our lives.
I guess it boils down to this, my own personal understanding: everyone is judged. We try not to do it, but a big part of our how our brain works is that it takes unfamiliar experiences and relates them to past experiences. Instant judgement. It’s wrong, it’s necessary for survival, and it results in bullying, social and racial stereotypes, acts of terrorism, and false convictions.
This is Joel Stein, from the latest Time Magazine about getting picked for jury duty:
Judge Richman then asked us each if we were able to avoid making assumptions about the defendant, who was also in the room, based on the enormous tattoo covering his face. I told him I certainly could. But by the 20th time he asked a potential juror, I started to wonder, if, compared with the non-faced tattooed, the face tattooed are more likely to make poor decisions. After all, these are people who walked into a tattoo parlor and said, “I think this design will go well with my face.”
I want to be judged for who I really am, what I do and how I treat others. Everyone does. It just doesn’t happen that way.
So I’m writing a novel about a very bad man because I want to face the evil–inside of him, inside of me. It’s not so different from why my main character decides to visit her dad in prison, how she’s able to go out alone at night and paint her pieces: evil may not shatter when it’s exposed to the light, but it does make it easier to see, and hopefully easier to transform into some better.
Pulitzer Prize-Winning author Robert Olen Butler in his wonderful book, From Where You Dream: The Process of Writing Fiction, gets to the bottom of it:
For those two hours a day when you write, you cannot flinch. You have to go down into that deepest, darkest, most roiling, white-hot space. . . whatever scared the hell out of you down there–and there’s plenty–you have to go down in there; down into the deepest part of it, and you can’t flinch, can’t walk away. That’s the only way to create a work of art–even though you have plenty of defense mechanisms to keep you out of there, and those defense mechanisms are going to work against you mightily.
Understanding these things is understanding ourselves. Just like that baby who sits there hitting another baby and thinks it’s the funniest thing in the world, all of us have the capacity to hurt others. We all do it. Some of us enjoy it, most of us bury it in guilt and various defense mechanisms. I want to face the evil, give it a name, and hopefully come out a better person.